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Story highlights "We are prepared to deal with any threat and we are committed to protecting our own citizens and allies," says a statement from the US Embassy in South Korea US officials had said that the country's threats to withdraw from the 2015 nuclear pact were "nonsense" Seoul, South Korea (CNN) President Donald Trump on Tuesday reacted to growing North Korean tensions with a tweet claiming Pyongyang is "now threatening to shoot down an airplane flying around our territory, which they have already done," and warning that the country would "pay a big price." "If he does that, they will be shot down and they will be crashing and they'll be crashing seriously," the US President told Fox News' Laura Ingraham. "I mean it's about time." Trump's comments on North Korea were a sharp break from his national security team. US officials had said that the country's threats to withdraw from the 2015 nuclear pact were "nonsense," and on Tuesday State Department spokesman John Kirby told reporters that Washington remains committed to the joint commitment to denuclearize North Korea. "This kind of talk and posturing has been going on for years, and that's precisely what it is: talk and posturing," Kirby said at the daily briefing, without directly addressing Trump's comments. "It's not a good idea to raise your voice or raise your threats, and we certainly hope that North Korea does not follow through with its threats to take more actions that might lead us to having to choose one of the two options." Read MoreAlexander Calder with the Calder mobile in 1935; Credit: Courtesy of the Estate of Alexander Calder and the Calder Museum, New York, NY Design Theory & History is proud to be featured on the 30th Anniversary of Alexander Calder’s Death, November 28, 2009. The quote below was written in 1971 by John M. Richards of the Museum of Modern Art and quotes both Calder and his brother and noted patron, Gertrude Vanderbilt Whitney, in their joint presence. “Alexander Calder died at the age of 92 on November 28, 1969. It is not only a loss for the sculpture world, but for the world of artists and for the twentieth century. He was the last of the great world-historical figures of the French artistic avant-garde of the 1920s. It would have been hard to find a man who combined in his work the mastery of his instruments, the profound insight into
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